Of course, that's not something that the majority of people will remember, or eve completely get, from this movie. The film is fairly meta in the way that it uses its narrative as activism. I'm not saying the film isn't without its flaws, but it also, at the very least, attempts to use this approach in order to shine a light on a much bigger issue. And this is something Roth explained this when the film faced some criticism due to its portrayal as indigenous people as savages.

Honestly that, in reality, is the bigger issue. I don't think it's nearly as bad as No Escape, in that at least this film depicts the struggle against the tribe and those that are trying to kill them off in order to exploit the land they live on and its resources. The film, however, much like No Escape, is really retrograde in its approach to how it chooses to portray the indigenous tribe that serve as the main antagonists of the film. This, really, is Cannibal Holocaust for the modern era. Shyamalan has made a better horror movie than Eli Roth and there's nothing wrong with that.

But alas today is the day where the impossible is possible. Night Shyamalan, in 2015, would've made a better horror movie than Eli Roth. 'Those who cannot remember the past are condemned to repeat it.Never once, in a million years, would I have ever said that M. Nonetheless, it should be viewed as a disturbing historical document of a bygone era of extreme irresponsibility which no longer exists, and, hopefully, will never exist again. What you will see will definitely shock and offend you. To quote Thomas Jefferson, 'it behooves every man who values the liberty of conscience for himself, to resist invasion of it in the case of others.' Therefore, we are presenting CANNIBAL HOLOCAUST for the first time in its uncut, uncensored original form, with all sequences photographed by the filmmakers, however offensive and repugnant, presented fully intact. However, as firm believers in the constitutional right of free speech, we do not believe in censorship. As distributors of this film, we wish to state with absolute sincerity that by no means do we condone the artistic decisions employed by the makers of this film. The Grindhouse Releasing (USA) and Siren Visual (Australia) DVDs/Blu-rays omit the United Artists Europa logo in favor of a text crawl regarding the film's violent content: 'The following motion picture contains intense scenes of extreme violence and cruelty.

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